The Power of Multiplicity in an
On-Going Dream Group
Gillian Finocan, MA, is a
doctoral student in clinical psychology at Miami University in
Oxford, Ohio. Her master’s thesis focused on women’s experiences
using different dreamwork methods. She is currently working
towards her dissertation which will be a qualitative study on
healing dreams and the role of dreams in recovery.
Darren M. Del Castillo, BA,
is a second-year graduate student in the Clinical Psychology
program at Miami University in Oxford, Ohio. He is originally from
Southern California where he completed an undergraduate degree in
English. His interests include: dreams and psychopathology;
psychoanalytic and archetypal psychology; the development of
stigmatized identities; and the psychology of men.
Lisa M. Salvi, LISW, MA,
is a doctoral student in clinical psychology at Miami University,
Oxford, Ohio. She received a master’s degree in social work from
City University of New York, Hunter College. Her interests include
childhood experiences of trauma, play therapy, and dreams.
Jill C. Thomas, MA, is a
doctoral student in clinical psychology at Miami University in
Oxford, Ohio. She has recently completed an action research
dissertation study aimed at facilitating student activism in
addressing disordered eating and body consciousness on campus.
Jonathan Fishman, BS, is a
Clinical Psychology graduate student at Miami (OH) University. He
is currently working on his master’s project which is looking at
how people heal from the negative effects of parental divorce. He
meets weekly for dream group with the five friends and fellow
co-authors of this paper.
Valerie Loeffler, MA, is a
clinical psychology graduate student at Miami University in Oxford
Ohio, USA.
Abstract
“A wrong path into the dream
occurs when we take one path only” (Hillman, 1978, pg. 156).
Although there are numerous methods for working with and paying
attention to dreams, an on-going dream group using an Ullman
(1979, 1996) approach opens an imaginal space for the dreamer, as
well as the others in the group who witness the dream, to
experience and appreciate a dream on several different levels. The
importance of moving towards multiple understandings rather than
seeking singleness of meaning is viewed as essential to keeping
dream images fresh, well, and alive. Such multiplicity can only be
accomplished when the dream is allowed to be the teacher rather
than the object of a single interpretation. The dream is then
honored and celebrated from multiple perspectives. A dream-group
fosters this kind of multiplicity by encouraging further inquiry
into image and by allowing the dream to be our teacher.
This paper presents
the multiplicity of a dream that emerged in the context of an
on-going dream group. Previous research (Finocan, 2005, Finocan &
Knudson, 2005) has used performance texts to illustrate the
dreamer’s response to group dreamwork. This project expands upon
previous work by presenting, in the form of performance texts, the
multiplicity in the group member’s responses. Following a dream
group experience, each dream group member titled the dream and
responded to the dream and the group experience in the form of a
performance text. Selected performance texts are presented along
with the dreamer’s response to the group members’ artistic
responses.
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