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Bridge: In Search of the Silver Violin 

Lana Nasser, MA, Consciousness Studies/Dream Studies certificate, JFKU; BA Psychology/Fine Arts Cum laude; GWU. Lana is a researcher and an artist (dancer/poet.) She performed, lectured and led workshops in the United States and the Middle East. Born and raised in Amman-Jordan, she is currently living in Berkeley, CA.  

Abstract

Stage 1:

A dreamer awakens to find herself in the realm of the muses of art. She inspects herself and finds that she is in fact a bridge. Inspired by her own dreams about bridges – the literal and the symbolic – the dreamer embodies her own dream character and ventures into exploring the chambers of her imagination, and the many rooms of the collective unconscious as expressed in the art works in the exhibition. Just like dreams, where even with successful incubation, one has little control over surprises; the performer will not have any knowledge of what is on display (unless shown to her in a dream of course). She will only know that she is a bridge (character), in search of a silver violin (motivation) As she dances between the imagination of fellow dreamers, she asks herself what it means to be a bridge, what is one bridging, and how does an individual dream fit in the grander tapestry of dreaming? In preparation for the performance, the dancer will incubate dreams of being a bridge, imagine the art that will be on display, and listen to dreams around the theme of the conference ‘Dreams building Bridges;’ as shared by members of JFK East Bay Dream Theatre Group, the World Dreams Peace Bridge on the web, and Culture Dreaming at The Dream Institute of Northern California.  

Stage 2:

The performance is both an experiment and an adventure; it aims at creating a dream-like state, where the first performance sets the stage to which the observers are later invited. Once in the imagination of the dreamer-artists, the body becomes the bridge, and voice is found in dance, in song and in play. The observers who wish to participate in the second stage re-enter the art exhibition (ideally the next night – or later on in the same evening) in character (a dream element) and with a task (inspired by a dream), where the only rule is to stay in character and to use very little words; to suspend judgment and logic and to create; freedom in movement, where one can sit, stand, or even fly – in the realms of dreams, arts and imagination.

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